With grace and affection, Johnson recounts the history of “how I fell in love, how I came to be with someone else, and how he came to death and how I helped, how in the end love enables us to continue beyond death.” At the same time, Johnson interweaves two stories: his own upbringing as the youngest of a Kentucky whiskey maker’s nine children, and that of his lover Larry Rose, the only child of German Jews, survivors of the Holocaust. Johnson’s writing has been described by Barbara Kingsolver...
The Colors of Nature: Culture, Identity, and the Natural World is an anthology that doesn’t operate merely as a collection of essays and poems by writers of color and their reflections about the natural world. Rather, the anthology is a sophisticated argument expertly structured around the following question: “Why is there so little ‘nature writing’ by people of color?”—Oliver de la Paz
“SCISSORS, PAPER, ROCK is a book of insight and honest love; it has the lyricism of family legend, and the dead-on truthful ring of a report from the trenches. Fenton Johnson has made something wonderful here.”
Barbara Kingsolver, author of Pigs in Heaven
“The emotional power of SCISSORS, PAPER, ROCK resides on a plot of land in Kentucky…, [It] chronicles the courtships, the births, the deaths and the agonizing disappointments of two generations of the Hardins of Strang Knob…When we first...
As I Lay Dying is considered by many both the most enigmatic and the most accessible of Faulkner's major works. This volume of essays, with contributions by Cedric Gael Bryant, Barbara Ladd, John T. Matthews, Homer B. Pettey, and others provides "an aid that should help both new teachers and veterans to teach [As I Lay Dying] more fully and effectively."—Gail L. Mortimer
“[Ander Monson’s] poems celebrate defiant excess. In this land of scarcity, right-living involves using up what you have, where you have it; otherwise someone might wreck, steal, or use it and you might not get any. A carpe diem for obscure, doomed youth.”—Stephen Burt
A catalog of the 100 films selected by the Arizona Media Arts Center to celebrate the 2012 Centennial of Arizona statehood. Includes copious film and filmmaker information, a guide to film themes for teachers and scholars, and a still from each film. Black & White with Color cover. 200 pages.
Ground|Water is an ode to a dry river, the kind of river most familiar to those who dwell in Southern Arizona. It is also an experiment in making something beautiful from something that has been desecrated. And it is a strong message about community and responsibility.
A prizewinning poet and nature writer weaves together natural history, biology, sociology, and personal narrative to tell the story of the lives, habitats, and deaths of six extinct bird species.
“This story – of the ghost species still haunting this continent – is full of power and mystery.”
Bill McKibben, author of The End of Nature
“I was mesmerized by this fine book and felt in reading these lost natural histories as if I had both been given a gift and had one taken away.”...
Inspired by and structured around the chamber piece of the same title by the French composer Olivier Messiaen, Quartet for the End of Time is a mesmerizing story of four lives irrevocably linked in a single act of betrayal. The novel takes us on an unforgettable journey beginning during the 1930s Bonus Army riots, when World War I veteran Arthur Sinclair is falsely accused of conspiracy and then disappears. His absence will haunt his son, Douglas, as well as Alden and Sutton Kelly,...
Excerpt from “Jack Kerouac Is Pregnant”
How to Be a Passenger on a Motorcycle
The motorcycle owner gets on the bike. He’s stomped on the clutch or whatever that thing is, the choke maybe. He dons his big helmet, puts on his big black gloves, lifts his leg over the hulking machine. He situates himself on the seat, revs, adjusts the mirror, and looks at you, standing on the sidewalk like an orphan. You take the cue. You tentatively put on your helmet, a white one unlike his black one, and you’...